Tuesday, September 30, 2014
Monday, September 29, 2014
Sunday, September 28, 2014
God is tired of you ( and the black man is confused)
That's his skull cap covered in symbols of the occult. That's his light hearted heartbreak which he conflates with lust that's that Pharaoh's Den now a drug busted masonic temple for one and then a few others some heavy forces that really ain't shit but this is his shadow talking just his image talking the real him is in a very safe place in the archives of the creator and my naive pride always drives a corvette with weak breaks there to the sagging cliff of half - revelation to dangle , reluctant sun : papa , look at your shadow , jah is no over-charmed martyr to your soul
Thursday, September 25, 2014
Niggas who think of you fondly
The one with the pot belly and the lollipop makes a good sad naturalness out of Nation Time
What is this about . That tame time when attention had songs to fend for and the other woman has
time to manicure her nails came out like an order in stereo (slow type, heat wave, rifle at the dinner table across from blank paper as we mine the sermon for forgotten members).
All women have time for that , and enmity , and spastic tenderness like a good commercial. Calm be-stilling tenderness also. And cherry red nails / This one
uses the diabetic sap from her candy and mangled hot cheetos ™ and that shit is beautiful to
melt in twos and infinities to believing that trite othering until you die of feeble mindedness
Resurrect in the dire will of a parched field a little jaundiced from your belief
in the past
--
Six months later, 1967 , most of our cities were not on fire but the ones that are be blazing like a nigga with a habit I took to the glass looking for King's reflection - shadow - mask and endless aptitude and He was in there with the other girl blue begging the wind to cry mary or judas
What is this about we wondered? Why's the quiet folk hero stuck between mercy and self-destruction in some broken shop window and for all we know happier there than with us
What is this about . That tame time when attention had songs to fend for and the other woman has
time to manicure her nails came out like an order in stereo (slow type, heat wave, rifle at the dinner table across from blank paper as we mine the sermon for forgotten members).
All women have time for that , and enmity , and spastic tenderness like a good commercial. Calm be-stilling tenderness also. And cherry red nails / This one
uses the diabetic sap from her candy and mangled hot cheetos ™ and that shit is beautiful to
melt in twos and infinities to believing that trite othering until you die of feeble mindedness
Resurrect in the dire will of a parched field a little jaundiced from your belief
in the past
--
Six months later, 1967 , most of our cities were not on fire but the ones that are be blazing like a nigga with a habit I took to the glass looking for King's reflection - shadow - mask and endless aptitude and He was in there with the other girl blue begging the wind to cry mary or judas
What is this about we wondered? Why's the quiet folk hero stuck between mercy and self-destruction in some broken shop window and for all we know happier there than with us
Wednesday, September 24, 2014
Tuesday, September 23, 2014
What were you doing down by the watermelon / Are you my angel ?
A girl wanted to use
the word switchblade the deft way
deaf matron of the radio war
without
attracting perpetrators traitors patriarchs or ever the
opaque enzymes my
calves are brimming with hot wine and acid look like greek sculptures act like black actors at the chameleon circus and uncle leon is my favorite one cerebral
from the heart , vulnerable and ground in
valium to stay relevant
it's almost enough to know what my father
would have done to those men,
if he were still stuck on earth
how many he almost killed
for her and her
and me and the hurt
they dream as salvation
or simplified leadership
he used to be naive
and think that he could live without
killing My king
is a million silent slaves who
don't believe in nightmares
escape (continued )
bathed in the serial wayward
patience a man with dimples who
could play the drums and
faint in the voice like
Andy Bey that man is
and standing up to put
the blame on / song
Tradition should be
just as
offensive
as the broken notes of my
unrepentant desire which
evaporates
to
announce itself as vulnerable and in
charge of that blind tone
I filed you under suspect for the
way the love never fades
I prayed for courage and saw my
mother's feet clapping on the treadmill
almost bare but for company kicks and
this skill of the spectator and we were
watching In Living Color that show
about funny niggas who cry for money
The
Blues Offer No Solution
What
were you doing down by the watermelon ?
Are
you my angel
(Flashback
or : White mother combs out mulatto
daughter’s hair while
marching on the treadmill and Watching In Living Color (muffled laughter) early
1990s Los Angeles , California ) Are you my angel?
Saturday, September 20, 2014
Friday, September 19, 2014
There is no caution in god's mind
Father, Father,
I said there is no caution, in god's mind. The fossils of a deep parody are caught in the reel. The air smells like licorice and mould, like Macbeth and Lady Macbeth and hubris and the dead minerals resurrected by our desperation to be literal again and then reject again whatever we discover in that dull field of trembling cedars they keep asking you to ax like a fad or black angel. Do you still blame black angels? Their pathological confessions and broken tambourine candle sinking in the glass. Black english, I love you. Black man, I love you. Black youth, I take you to my forever milk and break you into mistakes (it's a trap) so you stay with me willful and blameless and not afraid of your own impatient heart bent over the cedar about to cut in and loose a hunger so wild it will never know how to announce itself besides departure and music. If I pick up a spirit and knock it back now— next thing I knew I'm in bed with that moaning blues and every black idea I ever loved flashes through to a dutiful yellow in a crown of stupid melodies about who else we lean on when god is acting crazy and we are god — Is it hip of me to crave that evil until it rolls over and disappears into value is it true of me, trembling in the morning on the tensing dime of autumn looking for anyone who resembles you to help me practice my scenes. The monologs mostly mostly I just want you to be here tonight.
I said there is no caution, in god's mind. The fossils of a deep parody are caught in the reel. The air smells like licorice and mould, like Macbeth and Lady Macbeth and hubris and the dead minerals resurrected by our desperation to be literal again and then reject again whatever we discover in that dull field of trembling cedars they keep asking you to ax like a fad or black angel. Do you still blame black angels? Their pathological confessions and broken tambourine candle sinking in the glass. Black english, I love you. Black man, I love you. Black youth, I take you to my forever milk and break you into mistakes (it's a trap) so you stay with me willful and blameless and not afraid of your own impatient heart bent over the cedar about to cut in and loose a hunger so wild it will never know how to announce itself besides departure and music. If I pick up a spirit and knock it back now— next thing I knew I'm in bed with that moaning blues and every black idea I ever loved flashes through to a dutiful yellow in a crown of stupid melodies about who else we lean on when god is acting crazy and we are god — Is it hip of me to crave that evil until it rolls over and disappears into value is it true of me, trembling in the morning on the tensing dime of autumn looking for anyone who resembles you to help me practice my scenes. The monologs mostly mostly I just want you to be here tonight.
Wednesday, September 17, 2014
Tuesday, September 16, 2014
Monday, September 15, 2014
The thing that always aroused anger before, this time inspired a raging tenderness
And I forgot what he had said about having never heard of a crime he couldn't imagine committing himself / and finally we were well on our way to understanding one another's dainty / sublime / blame ed for prayers about what ecstasy our daddies died to and in the fits of demented sugar rubbing hoods of their wooden blood like private leaders of the occult order we shrug off as pop or patent leather leotards that zip v's in the front of weeping grinning idols or subtle abuses of power that add up to numb I had some to say / some - thing, I mean or (thingness of the thing ) I had that and was about to bring it on stage in blind pink apertures I was drunk in a way where you do the Cabbage Patch on the dance floor in public and genuflect to invisible ghost soldiers as late as the door shuts behind you at sunup, at fast justice / faster cuddle with the newspaper until it makes musty tattoos on your radiance or don't be Puttering around in the proof of our oneness , all these new attitudes toward your very own and so coveted / dissatisfaction / have become the optimistic masks that keep us elaborate clowns in the cattle feeling guilty for joy for sorrow for the grotesque irony of nearness these days when nothing will ever end again
Thursday, September 11, 2014
Wednesday, September 10, 2014
What is the question you almost heard
Sometimes I weep at the beauty of our collective ideology, how ignorant and eventful the afternoons become when we really listen to what we believe in like it's the difference between now and danger. Some wry synthesis of speech and place/ image of a stuttering wave that crashes as the blades I mentioned earlier and forgot about daddy's hands stuffed in his slack pockets on a paranoid rocket number 9 in the Amarillo, Texas parking lot waiting for the knot in his heart to burst or resolve itself as chamber music, a lonely black man standing in a parking lot with his wife and infant waiting for the train to turn the corner so he can beg it to stay
I've been waiting all this time in a tawdry shrine of utter forgotteness to situate the voice locked in the scene locked in the dream of fear of the dream I've been weighing all this value against the shrug of a comfortable demon wanting so much to be loved by a man who could outdrive any fugitive on the innocence of his scandalous commitment to the good and then one double hooded element could turn all that time into temptation
There is something I've wanted to tell you And some men do like the movies If I rollerskate up to the window again in terrycloth and linen maybe a bandana hugging my spirals and the fries and shakes and burgers you ordered even though I don't believe their food anymore will you still be there tucked behind the window waiting for a friend to notice that sweat is tears that gun in your hand is aimed in every direction and the panicked hostages are smiling into a pink and violet sun
Monday, September 8, 2014
Saturday, September 6, 2014
Three Women
The haunted one went on smiling with her eyes closed like shy yeses
Alabama went on by like a windy dress up playing must of have been love but I'm sober now
The felon complained of extra notes in the sundown/ oceanic stillness of a capital frenzy from the egyptian captioned they fanned our heads with blades we threaded our braids with arrows and rapunzel fell out the fable for believing in herself too convincingly
The liar made the most sense of remembering some past life antics wherein niggas could fly and fists were the careful wands of a pentagonal baptism he watched his yellow mama fantasize in the slow bath through the window of his hope having lost track of all the women he'd had he decided to become a militant listen to jazz read all the tragedies and court sad intelligent types who went on smiling
Wednesday, September 3, 2014
Why you felt the opacity of transfigured night needed support
(1) On the days where the music I want to hear doesn't exist And I watch the militancy of a dark widow grow wistful and a little stupid amphetamine in her brew as she chews her jaw onstage between jittery I love yous, the jagged rules of rage are grace for her Was it in that same place Max Roach broke it one night after a/ understanding that her vocals made on her rib a shadow almost apparition of a mostly purged Moses among her crumbling mutiny. The foretold Abbey Lincoln sobs with her shoulders back like Michael Brown's father in this picture of the whole thing double happening minus a slow Buick, the vulgar serenity of his clenching you would think we were all performing this tender wretchedness on the wings of any spell besides cotton and insurance and the prisoner strutting in his seat afraid to shut the meaning there around a despair that becomes indifferent to itself all the melodic vultures fly while we we pass by spinning
(Another) On the days where the music we need to make breaks into us like some tragic affinity to one another I see the good woodpecker tuck humor in her pressure and get a whole flute going red on blue going into a useless euphoria suitable only for the revolution shunting and Tupac's memorized muses: bitches and mamas and pride and self-hatred work so stable together It's easy to say he beat her and keep it cool like she did but it's hard to say why the private value of our shared temptation totals as the color it turns and another catatonic image and I love Seraphic Light but it gets distracting It's getting even easier to use intimacy as a crutch lately no one on television can help us
(Another) Hysteria in the men resembles distance as it closes in on dense ideas of how to be here unlimited and for women, the breasts nudge the air hunting for an infinity of bloods who can't look away just yet
(Another) On the days where the music we need to make breaks into us like some tragic affinity to one another I see the good woodpecker tuck humor in her pressure and get a whole flute going red on blue going into a useless euphoria suitable only for the revolution shunting and Tupac's memorized muses: bitches and mamas and pride and self-hatred work so stable together It's easy to say he beat her and keep it cool like she did but it's hard to say why the private value of our shared temptation totals as the color it turns and another catatonic image and I love Seraphic Light but it gets distracting It's getting even easier to use intimacy as a crutch lately no one on television can help us
(Another) Hysteria in the men resembles distance as it closes in on dense ideas of how to be here unlimited and for women, the breasts nudge the air hunting for an infinity of bloods who can't look away just yet
Tuesday, September 2, 2014
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