Wednesday, October 29, 2014
I only want you for sex (letter from the field)
The waltz on the edge of solipsism another golden grill in a wall of blood some say the thrashing stillness of motherhood is an anti-lust a purification ritual don't trust them they are the unwed mothers who flock to courtrooms looking for suspects and order is reckless Never confuse me with a feminist or manifest destiny a few steps ahead in the oppression I am visited by a vision of Horace Tapscott's The Giant is Awakened on the courtroom turntable and all mugshots are public domain so I find a painless MLK in Memphis and frame him in gold and I'm the lightshow (dj) and all the innocent ones await the fumbling violin and stare blank at blonde ambition pinups and a revisionist history of love is penned right there in the stairway between myth and desire where a woman learns to admit hers before it devours another moment in the affair it is better, some days, to be terrible in the service of reverberating mirrors show them how it feels to have a goal an agenda that you're never afraid to speak of and duck when they realize it's a decoy we're not at war with our own people but Hollywood had called
Tuesday, October 28, 2014
Monday, October 27, 2014
You bear the illusions of others as if they were your own
now repeat that into this nest of microphones everyone's a phony
You bear the illusions of others as if they are your own
You bear the illusions of others as if they are your own
You bear the illusions of others as if they are your own
I get bored calling everyone cousin , for example , when there's no blood
I like what Yoko Ono says about madness, that it's performance, for example
a form you channel when bearing the illusions of others as if they are your own
a poem arriving like sand through the palm of glass hours and shattering like sermons
a man I love distracted from my naked body by a commercial for chicken wings
the last prince of non-violence
You bear the illusions of others as if they are your own
You bear the illusions of others as if they are your own
You bear the illusions of others as if they are your own
I get bored calling everyone cousin , for example , when there's no blood
I like what Yoko Ono says about madness, that it's performance, for example
a form you channel when bearing the illusions of others as if they are your own
a poem arriving like sand through the palm of glass hours and shattering like sermons
a man I love distracted from my naked body by a commercial for chicken wings
the last prince of non-violence
Saturday, October 25, 2014
The best seat in the house
Everybody's dead, so they can finally say what's really on their minds
Rhyme you outta jail in time to steal your rhymes
How they love to use dialectics in a way to make you feel things that are not true
Like reticence stretches into abandon on the skin of confidence or confident desperation the difference
between life and death is finally coming into question, in the most optimistic way the plague is finally Immortality
Break for war
Break for epidemic
Break for race card I am a woman woman is the nigger of the world break into her for her what forest of motives this sure thing
Remember the time when we fell in love / break for Michael Jackson
Jesse Jackson is full of shit, break for him in the break for satisfaction happy cantaloupe / island break for nourishment
Never give a sucker and even break ever even in the break for courtship
break for judgement caught you a case break for winning glove as vague as breaking with tradition what does that bullshit even mean / break for translation you put it down and I pick it up again by the time the tongue the miner's silent confession breaks for someone's mother breaks to blame her to point somewhere like forever and break it into images savages salvaged made up of the thoughts you made up of the vibrations that were made into you is to make up infinite future and break for life slave / wife correlation breaks for massa's rape at sundown 1700 and something forsaken and someday far later in an earlier way this great mind violator meeting violated in the middle with a tender smile of misrecognition (oneness) tilted like prey and prayer away from the mercy to call it forward all, Haven't you heard?
Rhyme you outta jail in time to steal your rhymes
How they love to use dialectics in a way to make you feel things that are not true
Like reticence stretches into abandon on the skin of confidence or confident desperation the difference
between life and death is finally coming into question, in the most optimistic way the plague is finally Immortality
Break for war
Break for epidemic
Break for race card I am a woman woman is the nigger of the world break into her for her what forest of motives this sure thing
Remember the time when we fell in love / break for Michael Jackson
Jesse Jackson is full of shit, break for him in the break for satisfaction happy cantaloupe / island break for nourishment
Never give a sucker and even break ever even in the break for courtship
break for judgement caught you a case break for winning glove as vague as breaking with tradition what does that bullshit even mean / break for translation you put it down and I pick it up again by the time the tongue the miner's silent confession breaks for someone's mother breaks to blame her to point somewhere like forever and break it into images savages salvaged made up of the thoughts you made up of the vibrations that were made into you is to make up infinite future and break for life slave / wife correlation breaks for massa's rape at sundown 1700 and something forsaken and someday far later in an earlier way this great mind violator meeting violated in the middle with a tender smile of misrecognition (oneness) tilted like prey and prayer away from the mercy to call it forward all, Haven't you heard?
Thursday, October 23, 2014
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