Friday, July 9, 2010
Harlem Nocturne/My Tiger, My Timing
Rigged to find these giddy binaries coiling
If and so,
he hollers let him go,
Between cause and hypothesis,
trip and trick, pretty and grotesque, giant and just gone
Triptych
There is a hippopotamus, smile
Doubt forces you to touch it
There is a sweet double hipness, runfromit with your skepticalest stride
Up the Sisyphus hillside, then back down
Running is what forces you out toward
All the didactic solitude, all the involuntarily daylight
All of the things you pull back to accumulate chase
They all bloom in the cripple city moonlight as in the fake Van Gogh
who will always be dizzy and accurate with ecstatic torment, elaborate quickness
Saying: I have the greatest expectations
I expect nothing; everything happens to me
This is how
we walk on
the moon
He continues, stepping on the wet painting with his hands until his feet fall into the ceiling like chandeliers
My applause breaks his concentration which was made of warm glass and the associative trivia on the hinge of his mind
(phillip glass, "Two Moon July"; Cover Girls; "Wishing on a Star"; Bjork, "Cover me")
My Trigger, My Timing; My trickster, his timing. This is really dangerous, he says, pointing at the blatant dawn as he smears paint on my lips to keep me as obvious and quiet