He must have hated her and longed for her
Am I pure
Are you pure —
The fantasy of rescuing the father
will occasionally
have tender meaning
Something about wanting the father
for a son
nor Jupiter
nor comeuppance
toward the chore of immortality
the whore meets the mother in the mirror
and claps, cheers I found you
at last I found you
having always longed for you (new you
and hated you
Papa, look at my shadow-
mask I've made of the satisfactions
you must have longed for
and hated too
Am I pure yet
are you pure
reconciliation /
reconciliation's
will to have a tender meaning
Saturday, January 31, 2015
Tuesday, January 27, 2015
Saturday, January 24, 2015
Friday, January 23, 2015
I loved any black man who was screaming
And the quiet ones who wanted to cream all over my leggings and run home to their mothers with the subdued prizes
No body is ever disrupting things he begins, this is about ... phases in my life that I can now look at, more objectively as they say
Dimming the light of interrogation
I'm in the mood again
No body is ever disrupting things
Any black man who is screaming
And the quiet ones
mouthing Mahalia lines into the receiver while we fall asleep together
No body is ever disrupting things he begins, this is about ... phases in my life that I can now look at, more objectively as they say
Dimming the light of interrogation
I'm in the mood again
No body is ever disrupting things
Any black man who is screaming
And the quiet ones
mouthing Mahalia lines into the receiver while we fall asleep together
Wednesday, January 21, 2015
This was lifted
I thought selling hopes and dreams in a bottle for 19.99, in Harlem, would work
It did
It did
Tuesday, January 20, 2015
The Unity of the Hero, (1) Desdemona's Testimony
I cast a sidelong glance at myself / all panic mutters like mantra butterfly
and takes cover in the soft melancholy of rewilding instincts / reluctant
to admit your silence will not protect you the shouting grows simple and pulses with the estate stamped slow red
you get a percentage you get to detonate you save your tone
hide your tone learn to trust crazy better than safe and neither can face the other and unchange
Is it daddy left home or
daddy went home
When daddy came home, we'd been practicing for so long we lost track of verbs and Afrofuturism became another social narcotic plus the clothing brand I started, slapping faces of dead jazz on cotton and sold out in Tokyo
Sunday, January 18, 2015
Thursday, January 15, 2015
Tuesday, January 13, 2015
Monday, January 12, 2015
The thing that most people think is the difference
wincing at the shrewd dilapidated elegance of subtropical California
and those puzzles which join our sins as love what are our sins as love ? the difference between a duty and need, narrows childlike and ancient the one and only tremendous muse, the difference
The time I didn't tell him
The time I did
the time I was my own hero and could have filled an effigy of tones with sheer neglect of myself and called the flames, father, again, searchlight hymns, so redundant the hot trope of melody plunges into the green implications famous unknowns/ and I name the forgetfulness : freedom the clean biography of surfaces coming to mean oneness
or the way everybody but otis could become a symbol of the frozen periphery as he has become the difference between me and me — learning to be casual again and even when that gets as boring and perfect as blowfish, the laughing shoulders of niggas and dignitaries, eaters of flesh who condemn killing
all we fear is envy lately
my sister on the tarmac weeping while the hot lights of the camera melt her dilemma into skill, how the subtlest events send you into the family and back like an errand boy
we're not, probably, put on earth to prepare
there are certain things
that only by living through them do you learn to live through them
settlement into colony and back again and tribe bending into bright nonviolence —
where resistance trails off like a stolen line leaning on the familiar
in a steady swarm of the inconnu
and wanna be charlies, charlatans afraid to pretend
and those puzzles which join our sins as love what are our sins as love ? the difference between a duty and need, narrows childlike and ancient the one and only tremendous muse, the difference
The time I didn't tell him
The time I did
the time I was my own hero and could have filled an effigy of tones with sheer neglect of myself and called the flames, father, again, searchlight hymns, so redundant the hot trope of melody plunges into the green implications famous unknowns/ and I name the forgetfulness : freedom the clean biography of surfaces coming to mean oneness
or the way everybody but otis could become a symbol of the frozen periphery as he has become the difference between me and me — learning to be casual again and even when that gets as boring and perfect as blowfish, the laughing shoulders of niggas and dignitaries, eaters of flesh who condemn killing
all we fear is envy lately
my sister on the tarmac weeping while the hot lights of the camera melt her dilemma into skill, how the subtlest events send you into the family and back like an errand boy
we're not, probably, put on earth to prepare
there are certain things
that only by living through them do you learn to live through them
settlement into colony and back again and tribe bending into bright nonviolence —
where resistance trails off like a stolen line leaning on the familiar
in a steady swarm of the inconnu
and wanna be charlies, charlatans afraid to pretend
Saturday, January 10, 2015
Friday, January 9, 2015
Wouldn't it be nice if your teeth were beautiful
I'm interested in surprise
I'm interested in hope
The angel is not born and does not die
I cannot run away from memory
I refuse to be blinded by any ideology at all
I'm learning to play the harp and the excommunicated terrors
I must plow the land
Acrid is a sacred word
Bitterness becomes compassion an intimate command —
Dope and Glory
I'm interested in hope
The angel is not born and does not die
I cannot run away from memory
I refuse to be blinded by any ideology at all
I'm learning to play the harp and the excommunicated terrors
I must plow the land
Acrid is a sacred word
Bitterness becomes compassion an intimate command —
Dope and Glory
Wednesday, January 7, 2015
How to recover from addiction to white supremacy (1)
We walked around that desert, and held our screams in check
and the objective stance from whichI we attempt to love them the tender wintering of the W Hotel bar / seminary / that picture of James Baldwin, eyes rising like Gershwin scams, not scams, mercies , above the God is Love sign, the camera, the muggy autograph of spectators the chimera the crime my husband commits to become my hero living in Hollywood obsessed with adultery as the one true thing bringing us closer to Africa and persian rugs, did we want to come closer the billboard on Sunset tallies ebola deaths in Africa snug empire of regretlessness did we need to know more about the west and not just as middle class negroes who go to one of their colleges and come back crazy / enlightened wondering what to do with this immense wealth, this education still acting like a slave — But love builds up anyways even passion until we master the art of oppressing ourselves with them with love and passion and even subtlety matted in the alien language of another tribe no longer satisfies have we exploited our own suffering for long enough to transcend it yet are there any brown children playing in the snow on purpose that imperceptible grecian approval is so gratifying I almost realign with its domesticity just to grieve
our blind leader crossing over from preacher to pimp is one way
while the strippers become praise dancers in a prank pink knees and needs and
Amiri Baraka weeping and reading Ulysses until he gets kicked out of the Airforce on purpose
oppression the shape of fame
and the objective stance from which
our blind leader crossing over from preacher to pimp is one way
while the strippers become praise dancers in a prank pink knees and needs and
Amiri Baraka weeping and reading Ulysses until he gets kicked out of the Airforce on purpose
oppression the shape of fame
Monday, January 5, 2015
Sunday, January 4, 2015
And therefore an angel has no history
And the most profound seduction is no longer indifference but that bashful anxiety we call innocence , use to invent one another to be first again having become involved having learned to mediate these opposites with tenderness the one concept we are for and against together we just have to pretend we don't know one another and are so familiar with that unknown we fall and rise again every dawn an amorous sense of reason that heals us of history with its approach always threatened by the memory of difference we want the commons that cures all illiteracy of spirit without disrupting the anxiety that is spirit itself the inside outsider correspondent shadow light redundant isolation break dancing among asians is just as dissociative as angels in a reunion of eternal forgetting we could choose that have affairs keep the parachute near the ladder do you hear that noise time hallucinating again acting relevant flying ahead of morals to practice 1964 for the barricades have become portals camouflaged by resemblance and how we strip the myth of details makes us angels and therefore the slave has no history and therefore patience is as embarrassing as revolution or the fear that the bridge between experience and condition is no longer blackness but some other code that it represents saturates with every maybe and I plan to stay a believer and therefore the mercy calls me to deliver to each angel a history and therefore history has no angels F r e e d o m will come to itself again grimacing how petty the saviors had been
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