Wednesday, October 18, 2017
Moses Sumney, Run
He’s practically bleating like a felled killer of sheep. I listen like I’m auditioning to join and I am. All my friends high on ketamines and I’m starving the grass to protect it from them. Nitrogen slender trojan horse hearse and hearsay. Use protection. The skin of pigs wet with obedience. Said no so many times it was like begging. Like what they call negative capability meaning, I didn’t know I was capable of begging even for my life we cannot be lovers repeatedly like the least shy accusation begged true to tribe and deregulated ship capsized and so many refugees alighted escaping what we shape into likely stories. Frivol and revolvers salt in the sky trying to blizzard and If somebody doesn’t cry soon there won’t be room in the sea for Moses and me. This scream is functional. In that way. A matter of populating the landscape colonizing it with evidence of Solomon who flies at the end to render beginning having hidden from himself. Having stopped looking, becoming what he needs to see, pitifully triumphant. That’s not what I meant by use protection. No no no no no no no no no no no I demonstrate or turn it on and he’s hugging the horse’s stomach feeding it a question scraping his answer across a Finnigan situation Finna Finnagen again finna wake up I meant This is the kind of music you can taste acrid with the lucky intensity of bulls when we see red on a lover’s brow get rowdy retreat He’s practically peeling the world past this sleepy crypto fascist what does that mean doom grab the houses have been leveled or unveiled they aren’t houses they’re a battlefield begging for sailors Alert as clay in last subway car with the wax apple and the razor and the babbling white girl he takes as reparations penance prey a slender indifference when she stabs him in the stomach as if that was the plan all along