Monday, June 2, 2014

Showbiz

His last words were show/biz

I plan to stay a believer 

Her last words were show/biz 

I plan to stay a believer 

His last words were show/biz 

And the healer's infinite scandal is pretending to be other than yourself 

And this disintegration becomes disinterest and sho is nice to be a believer 

Her last words were show/biz 

And sho is nice to be the actress fumbling on a tightrope chanting all traps are like that backwards into his contraband of lastness 

and meaning drums. I always mean drums like Duke Ellington under words they are the sole witnesses to our pledged integrity revoked by action. I sat around dreaming up ways to make a rich man proud for raising me, his black actress, his last words were show/biz — it finally has to be about conversation, why we pick this embarrassed planet, to become the grammar of supposedly invisible classes of meaning and I'll show no mercy in becoming 

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Where do you think black entertainment will be five years from now? 

All traps are like that. Drummers and wanna be drummers smiling occult kitsch while they get high in kitchens or five o'clock back alley blues out a window a whole generation of nameless children groomed for shame. Ennobled, asking, is the desert a ruined ecosystem, is it really supposed to go down like this, vapid and elaborately beautiful, same mule, same vault, sound bitten from a false plea 

so now we know a little bit about how this creature lives  some spectators will grimace 

Somewhere between chicken and windchimes we've grown afraid of our music     all traps are like this    Patient   self-made  men